Friday, December 11, 2020

THE WILD WORLD


Late last August, I decided to write a new story. It had one driving force behind it. It had to to be fun to write. Period. There was not to be a single care about filling a blank page (or a blank screen) each morning. Not a lick of worry about plot development or character motivation. Not a blessed concern about setting or rising action or backstory.

I had a scene for the opening. It came from two years of chasing away geese from the community pond behind my house. Over that time, I came to marvel at the intelligence and behavior patterns of these powerful birds. I admired their cunning in avoiding me, while I fumed about the size and quantity of their poop.

That was it. A single scene.

When I sat down to begin, a movie started to run in my noggin. Characters appeared. Tensions developed. Color and light and texture, from 374 years in the future, after the world had gone dark and been reborn. Mutants and Haters and Horrors railed against the injustice of what nature and humans had done to them. A ruthless retail monarch kept an iron grip on the fragile social fabric of Federations and Guilds. Literacy and texts were outlawed, under penalty of death, by Librarians who couldn't trust humanity from confusing prejudices from principles and destroying themselves again.

Each morning, from August to late November, I sat at my desk without a clue as to what or who was coming next. And each night, complex humans and unusual animals, with all kinds of wants and needs appeared. It was a hoot.

From the mulch that had been simmering inside me, they came. I simply tried to keep up with them. Ray Bradbury told me to get up every morning and follow the imaginary folks that were leaving the room. I thought he was nuts at the time. He wasn't.

The book was completed by the end of November, 2019.

Then came the arduous task of checking grammar and spelling. By February, 2020, it looked like things were good. Then, word came that the world was under attack. A virus was coming. It had serious intent.

Fast forward to today. After a bunch of rewrites, to bring in the current medical and cultural shit storm, the book is done. Fantasy merges with science fiction. Hate and hope get confused and reluctant friendships are forged.

I hope you take a look at THE WILD WORLD and enjoy it as much as I did writing it.

https://www.amazon.com/WILD-WORLD-James-Hugh-Comey-ebook/dp/B08Q8NQH6V/ref=sr_1_1?dchild=1&keywords=the+wild+world+%2B+james+hugh+comey&qid=1607699884&s=amazon-devices&sr=1-1


Friday, March 27, 2020

The Mosquito Men



I'm in lockdown. I'm ordered by the governor of my state not to go out beyond my neighborhood. Not to be close to other people. Not to shop, unless it's for food or medicine. Businesses are closed anyway. Schools are shuttered. Places of worship are silent and empty. Hospitals are gearing for a tsunami of infected patients.

Reality hasn't just stumbled. It's twisted its ankle and is having a hell of a time staying upright.

Each of us is struggling to process and cope with the global pandemic. Many adults are discovering the challenge of daily worksheets and young minds quickly bored. Some are rediscovering music and exploring art on digital field trips. Some are reconnecting with friends and relatives through electronic magic. And a whole bunch are worried if their food, money and courage will hold until medical research, hard data, and clear thinking squashes these invisible bugs.

Me?

I'm remembering when a fellow named Wizard and I drove around for three months in a beat to hell truck spraying white fog into the air. We were both summer help, working for the township highway department.

We were called into the supervisor's office our first day that summer. He led us to a bay where a tired-looking pickup truck with a 50 gallon drum and a gasoline powered compressor sat on weary springs. He showed us how to pour a couple quarts of ink black, nasty-smelling liquid into the drum and then fill it with water. A rubber tube from the compressor went into the filled drum and another rubber tube with a long metal wand with a squeeze handle came out of the compressor. A spare gas can for the compressor and a lawn chair were the last of the equipment.

"Spray on every street in the township," he said. "One drives. Don't hit anything. The other sprays. Switch off. Keep it under five miles an hour while spraying. Log on and off everyday in the mileage book."

He walked away. It was the last we saw of him that summer.

"Do you know why he wants our mileage?" Wizard asked.

"No," I said.

"So we don't just sit under a tree somewhere all day," Wizard said.

"Do you know what the smelly black crap is?" Wizard asked.

"No," I said.

I was beginning to guess why the guy was called Wizard.

"It's DDT," he said. "Don't get any on your hands."

"Do you know what the regular highway guys will call us?"

OK. I knew this one.

"Mosquito Men," I said.

"No," he said. "We're now the Bug Fuc..rs."

And that's what we did. Everyday we added smelly black crap to the drum and filled it with water. Everyday we drove to a different neighborhood. Wizard offered to sit most days in the truck bed and spray the white bug fog into the air. He liked the sun and mostly avoided the spray.

Kids ran behind us in the fog and whopped and hollered. Kids road on bicycles next to me while I drove along in first gear, hugging the curb. I had to be vigilant that dogs and fearless five year olds on big wheels didn't bolt down a driveway.

We didn't run into anyone or anything that summer, and I suspect we decreased the mosquito population. Malaria was not an issue in the township, and West Nile Virus hadn't appeared yet. DDT was outlawed in the early 70s because of its effect on the environment, and I moved on to teaching by then.

I think of this now because I hope Dr. Anthony Fauci and other talented researchers around the world devise a safe and effective vaccine for the coronavirus. Then, nano-version injections of that long ago truck will throttle these pathogens, and kids can whoop and holler once again in schoolyards and playgrounds.

Copyright (c) 2020 by James Hugh Comey